Ellen teaches fiction writing classes in the San Francisco Bay area and several international locations. Check here regularly for updated schedules, class openings, and registration information.
To receive periodic emails with information about Ellen's classes, send an email and ask to be added to her writing class email list.
Ellen also works one-on-one with writers. If you're looking for a book doctor or a writing coach, or if you'd like a critical evaluation of your manuscript, contact her by email.
Stanford Continuing Studies
Ellen teaches a one day seminar each semester through Stanford Continuing Studies.
For information and registration: https://continuingstudies.stanford.edu/
BEST AMERICAN SHORT STORY SEMINARS
This year I'll offer the class at Myra Strober's house in Palo Alto. (Thank you, Myra!) We'll meet on two Saturdays in March and break each class up into two sections, morning and afternoon. That way you can take just one section or two or three or all four. (A majority of students do take all four classes -- this new format might make it easier.)
In this seminar, we discuss the stories in the Best American Short Stories 2015. TC Boyle is the editor. (Do not confuse it with the new 100 Years version. We may get to that one another time.) For each class we talk about five of the stories in terms of what we, as writers, can learn from these masters. It's a fascinating class -- we learn so much about craft from these conversations.
So pick a half-day, a full day, or both full-days! Here are the details.
Date: Saturday, March 5, Saturday, March 12
Time: 9 til noon, 1:30 til 4:30 (you'll be able to get lunch on Stanford campus if you sign up for the full day)
Cost: $75 for each half-day session, $300 for both full days
Location: Myra Strober's house in Palo Alto -- I'll send directions when you sign up
to sign up: email me at email@example.com
HERE'S TO A CREATIVE (AND RULE-BENDING) NEW YEAR
In this one day seminar we'll focus on pushing our writing in new directions. This will be a day of exploration and of discovery. I'll set up a series of in-class writing exercises, all focused on pushing you to find something new. A stronger voice? Braver characters? More exciting drama? It may be time to break the rules in 2016 -- let's try it on for size. We'll grapple with structure, character, style, plot. We'll blast through the boundaries of how we usually do things and explore new paths.
This class will work for those of you who are very experienced as well as for newbies. It's primarily a fiction class, but memoir writers will learn from this as well. You won't be bringing any writing to class -- we'll start with a blank slate and take it from there. You'll end the day with a good deal of new material, ready to make 2016 a productive, creative, rule-bending year.
Date: Saturday, January 23
Time: 10 - 4 with an hour break for lunch.
Cost: $200, lunch included
Location: my house in Sebastopol (Sonoma County), one hour from the Golden Gate Bridge and one hour from Berkeley
To sign up: email me at firstname.lastname@example.org
NOVEL IN A YEAR 2016
I'll be offering my Novel in a Year class in a brand new way for 2016. As most of you know, I've moved to Sebastopol, California, in Sonoma County's wine country. I always like to teach out of my house, so now I'm planning on bringing you all north with me! I'll set this class up to include 4 Sonoma County weekends, instead of the 6 half-day classes I've had in the past.
Let me first tell you how the weekends will be structured -- then I'll explain the class content. For the first two weekends, we'll have class on Saturday morning andon Sunday morning, from 10 - 1, at my house. (So you can drive up instead of staying over if you'd prefer.) I'll offer lunch for the very first class. For the last two weekends, we'll have class on Saturday morning and an optional "writing retreat" at my house on Sunday morning. I'll offer lunch on the last class as well. On the Saturday nights of all four weekends, we'll have dinner together at a local restaurant. I'll provide you with a list of lodging options (from modest to luxury, airbnb to hotel) and you'll set up your own stay. (cost of lodging and Saturday dinner is not included in the class price.) I'll also provide a list of wineries, restaurants, beaches, etc. for your free time. Or you might choose to write during your free time. I love my new hood and will be delighted to share it with you all!
Write a first draft of a novel in a year!
You begin this class with a vague notion of a novel or a memoir that you'd like to write. In our classes, I talk about each aspect of the process: pre-writing, developing characters, plot, voice and point of view, the problematic middle of a novel, endings, and rewriting. I don't read anything until you hand in your novel or memoir at the end of the year. This class is NOT a workshop -- you don't read other students' work and they don't read yours. This is a year for you to write a novel or memoir, to have a teacher and coach to guide you along the way, and to receive a thorough critique at the end of the year. I give you deadlines and I'm available to help you through the rough spots. I do a lot of cheering from the sidelines. And sometimes I pick up the whip as well.
The cost is high. The reason for this is mostly the full critique that you receive at the end of the year. I do a line-by-line read and hand back a critique that is usually a 5 - 8 page single spaced document. You'll also meet with me for a private consultation twice during the year, usually at the midpoint and definitely after you receive my critique. I will also offer my help with query letters when you're ready to find an agent, even if that's years after our class has ended.
So: the cost. It's $4,500. Before you gasp, remember that it includes that critique. And you can pay on a three-part installment plan.
For the first and last class I will serve lunch after class -- that's so the group gets a chance to know each other a bit -- and to celebrate our accomplishments at the end. I also assign a "writing buddy" to each member of the class. Some students have had great success with this concept -- I know of one team that still meets ten years later. The writing buddies might choose to meet once a week to write at the same time (cafe writing!), they might choose to read each other's work, they might choose just to check in with each other at the end of each week to account for their productivity. I try to match writing buddies who are looking for the same thing.
Jan 9 - 10
April 9 - 10
July 9 - 10
Oct 22 - 23
If you are not available for any of those dates, we can use google hangouts or skype to connect you during class time.
We meet from 10 - 1, except for the first and last classes which will run til 2PM because they include lunch.
The rest of the year I'm available for consultation at any time, through email or phone calls. And of course, through the one on one in-person consultations.
If you have questions about this, please email me at email@example.com. I can also give you student testimonials-I have plenty of those.
If you are interested, please send me a 10 page writing sample. And, if I don't know you, tell me a little about yourself.
What Ellen's Students Have to Say
“I was an English major and have an MFA in creative writing and after years of workshops, Ellen remains one of my all-time favorite teachers. She has a natural talent for motivating students to write, handling the group critique dynamic, and helping you shape and push a story forward. I always left her classes with a spark of inspiration.” — Lolly Winston, NY Times Bestsellers Good Grief and Happiness Sold Separately
“Why take one of Ellen Sussman's classes? Inspiration. Not enough? How about the kind of criticism that will enable you to find your own voice and move your writing from the pedestrian to the distinctive? You want still another reason? Well, then there's this: with the class comes membership in a writing fellowship that brings both shared excitement and terror. Go for it!” — Keith Raffel, Dot.Dead
“Ellen is a perfect combination of tough coach and head cheerleader. She teaches with deep understanding how a writer stuggles. While creating a warm and welcoming environment, she challenges you to find depth in your work you never knew you could achieve.” — Shelly King, author of The Moment of Everything, coming 2014